Publications

[Extracted from DiVA, the publication database at KTH.]

Bisesi, E.; Friberg, A.; Parncutt, R. (2019):
A Computational Model of Immanent Accent Salience in Tonal Music.
Frontiers in Psychology 10: 1-19 [Details]
Friberg, A.; Bisesi, E.; Addessi, A.; Baroni, M. (2019):
Probing the Underlying Principles of Perceived Immanent Accents Using a Modeling Approach.
Frontiers in Psychology 10: [Details]
Gulz, T.; Holzapfel, A.; Friberg, A. (2019):
Developing a Method for Identifying Improvisation Strategies in Jazz Duos.
[Conference paper] 14th International Symposium on CMMR, Marseille, France, Oct. 14-18, 2019; Proc. of the 14th International Symposium on CMMR 482-489 [Details]
Finkel, S.; Veit, R.; Lotze, M.; Friberg, A.; Vuust, P.; Soekadar, S.; Birbaumer, N.; Kleber, B. (2019):
Intermittent theta burst stimulation over right somatosensory larynx cortex enhances vocal pitch‐regulation in nonsingers.
Human Brain Mapping : [Details]
Dubois, J.; Elovsson, A.; Friberg, A. (2019):
Predicting Perceived Dissonance of Piano Chords Using a Chord-Class Invariant CNN and Deep Layered Learning.
[Conference paper] 16th Sound & Music Computing Conference SMC2019, Malaga, Spain; Proceedings of 16th Sound & Music Computing Conference (SMC), Malaga, Spain 530-536 [Details]
Elowsson, A.; Friberg, A. (2019):
Modeling Music Modality with a Key-Class Invariant Pitch Chroma CNN.
[Conference paper] 20th International Society for Music Information Retrieval Conference, ISMIR 2019, Delft, Netherlands, November 4-8, 2019; Proceedings of the 20th International Society for Music Information Retrieval Conference, ISMIR 2019 [Details]
Friberg, A.; Lindeberg, T.; Hellwagner, M.; Helgason, P.; Salomão, G.; Elovsson, A.; Lemaitre, G.; Ternström, S. (2018):
Prediction of three articulatory categories in vocal sound imitations using models for auditory receptive fields.
Journal of the Acoustical Society of America 144: 1467-1483 [Details]
Friberg, A.; Choi, K.; Schön, R.; Downie, J.; Elowsson, A. (2017):
Cross-cultural aspects of perceptual features in K-pop - A pilot study comparing Chinese and Swedish listeners.
[Conference paper] 43rd International Computer Music Conference, ICMC 2017 and the 6th International Electronic Music Week, EMW 2017, Shanghai, China, 15 October 2017 through 20 October 2017; 2017 ICMC/EMW - 43rd International Computer Music Conference and the 6th International Electronic Music Week 291-296 [Details]
Friberg, A. (2017):
Commentary on Polak How short is the shortest metric subdivision?.
Empirical Musicology Review 12: 227-228 [Details]
Karipidou, K.; Ahnlund, J.; Friberg, A.; Alexanderson, S.; Kjellström, H. (2017):
Computer Analysis of Sentiment Interpretation in Musical Conducting.
[Conference paper] 12th IEEE International Conference on Automatic Face and Gesture Recognition, FG 2017, Washington, United States, 30 May 2017 through 3 June 2017; Proceedings - 12th IEEE International Conference on Automatic Face and Gesture Recognition, FG 2017 400-405 [Details]
Elowsson, A.; Friberg, A. (2017):
Predicting the perception of performed dynamics in music audio with ensemble learning.
Journal of the Acoustical Society of America 141: 2224-2242 [Details]
Addessi, A.; Anelli, F.; Benghi, D.; Friberg, A. (2017):
Corrigendum - Child-computer interaction at the beginner stage of music learning: Effects of reflexive interaction on children's musical improvisation [Front. Psychol.8 (2017)(65)]. Doi: 10.3389/fpsyg.2017.00065.
Frontiers in Psychology 8: [Details]
Addessi, A.; Anelli, F.; Benghi, D.; Friberg, A. (2017):
Child-Computer Interaction at the Beginner Stage of Music Learning - Effects of Reflexive Interaction on Children's Musical Improvisation.
Frontiers in Psychology 8: [Details]
Elowsson, A.; Friberg, A. (2017):
Long-term Average Spectrum in Popular Music and its Relation to the Level of the Percussion.
[Conference paper] AES 142nd Convention, Berlin, Germany; AES 142nd Convention, Berlin, Germany [Details]
Lindborg, P.; Friberg, A. (2016):
Personality Traits Bias the Perceived Quality of Sonic Environment.
Applied Sciences 6: [Details]
Kleber, B.; Friberg, A.; Zeitouni, A.; Zatorre, R. (2016):
Experience-dependent modulation of right anterior insula and sensorimotor regions as a function of noise-masked auditory feedback in singers and nonsingers.
NeuroImage 147: 97-110 [Details]
Lindeberg, T.; Friberg, A. (2015):
Scale-space theory for auditory signals.
[Conference paper] SSVM 2015: Fifth International Conference on Scale Space and Variational Methods in Computer Vision, Lège Cap Ferret, France, 31 May - 4 June, 2015; Scale Space and Variational Methods in Computer Vision 3-15 [Details]
Elowsson, A.; Friberg, A. (2015):
Modeling the perception of tempo.
Journal of the Acoustical Society of America 137: 3163-3177 [Details]
Einarsson, A.; Friberg, A. (2015):
Using Singing Voice Vibrato as a Control Parameter in a Chamber Oper.
[Conference paper] ICMC 2015 – Sept. 25 - Oct. 1, 2015 – CEMI, University of North Texas, USA; Using Singing Voice Vibrato as a Control Parameter in a Chamber Opera [Details]
Lindeberg, T.; Friberg, A. (2015):
Idealized computational models for auditory receptive fields.
PLOS ONE 10: [Details]
Lindborg, P.; Friberg, A. (2015):
Colour Association with Music is Mediated by Emotion - Evidence from an Experiment using a CIE Lab Interface and Interviews.
PLOS ONE 10: [Details]
Elowsson, A.; Schön, R.; Höglund, M.; Zea, E.; Friberg, A. (2014):
Estimation of vocal duration in monaural mixtures.
[Conference paper] 40th International Computer Music Conference, ICMC 2014, Joint with the 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy: From Digital Echos to Virtual Ethos, 14 September 2014 through 20 September 2014, Athens, Greece; Proceedings - 40th International Computer Music Conference, ICMC 2014 and 11th Sound and Music Computing Conference, SMC 2014 - Music Technology Meets Philosophy 1172-1177 [Details]
Wolff, D.; Bellec, G.; Friberg, A.; MacFarlane, A.; Weyde, T. (2014):
Creating audio based experiments as social Web games with the CASimIR framework.
[Conference paper] 53rd AES International Conference 2014: Semantic Audio, 26 January 2014 through 29 January 2014, London; Proceedings of the AES International Conference 288-297 [Details]
Friberg, A.; Schoonderwaldt, E.; Hedblad, A.; Fabiani, M.; Elowsson, A. (2014):
Using perceptually defined music features in music information retrieval.
Manuscript (preprint) [Details]
Masko, J.; Fischer Friberg, J.; Friberg, A. (2014):
Software tools for automatic music performance.
[Conference paper] 1st international workshop on computer and robotic Systems for Automatic Music Performance (SAMP14); 1st international workshop on computer and robotic Systems for Automatic Music Performance (SAMP14) [Details]
Friberg, A.; Bresin, R.; Sundberg, J. (2014):
Expressive timing.
Chapter in book [Details]
Friberg, A.; Bresin, R.; Sundberg, J. (2014):
Analysis by synthesis.
Chapter in book [Details]
Friberg, A.; Bisesi, E. (2014):
Using computational models of music performance to model stylistic variations.
Chapter in book [Details]
Friberg, A.; Schoonderwaldt, E.; Hedblad, A.; Fabiani, M.; Elowsson, A. (2014):
Using listener-based perceptual features as intermediate representations in music information retrieval.
Journal of the Acoustical Society of America 136: 1951-1963 [Details]
Eerola, T.; Friberg, A.; Bresin, R. (2013):
Emotional expression in music - Contribution, linearity, and additivity of primary musical cues.
Frontiers in Psychology 4: 487 [Details]
Bresin, R.; Friberg, A. (2013):
Evaluation of computer systems for expressive music performance.
Chapter in book [Details]
Elowsson, A.; Friberg, A. (2013):
Modelling Perception of Speed in Music Audio.
[Conference paper] SMC Sound and Music Computing Conference 2013; Stockholm, Sweden, 30 July-3 August, 2013; Proceedings of the Sound and Music Computing Conference 2013 735-741 [Details]
Bellec, G.; Elowsson, A.; Friberg, A.; Wolff, D.; Weyde, T. (2013):
A social network integrated game experiment to relate tapping to speed perception and explore rhythm reproduction.
[Conference paper] The Sound and Music Computing Conference (SMC 2013); Stockholm, Sweden, July 30 - August 2, 2013; Proceedings of the Sound and Music Computing Conference 2013 19-26 [Details]
Parncutt, R.; Bisesi, E.; Friberg, A. (2013):
A Preliminary Computational Model of Immanent Accent Salience in Tonal Music.
[Conference paper] 10th Sound and Music Computing Conference July 30–August 2, 2013, KTH Royal Institute of Technology, Stockholm, Sweden; Proceedings of the Sound and Music Computing Conference 2013, SMC 2013, Stockholm, Sweden 335-340 [Details]
Fabiani, M.; Friberg, A.; Bresin, R. (2013):
Systems for Interactive Control of Computer Generated Music Performance.
Chapter in book [Details]
Kleber, B.; Zeitouni, A.; Friberg, A.; Zatorre, R. (2013):
Experience-Dependent Modulation of Feedback Integration during Singing - Role of the Right Anterior Insula.
Journal of Neuroscience 33: 6070-6080 [Details]
Istók, E.; Friberg, A.; Huotilainen, M.; Tervaniemi, M. (2013):
Expressive Timing Facilitates the Neural Processing of Phrase Boundaries in Music - Evidence from Event-Related Potentials.
PLOS ONE 8: e55150 [Details]
Elowsson, A.; Friberg, A.; Madison, G.; Paulin, J. (2013):
Modelling the Speed of Music Using Features from Harmonic/Percussive Separated Audio.
[Conference paper] 14th International Society for Music Information Retrieval Conference (ISMIR 2013); Curitiba, Brazil, 4-8 November, 2013; Proceedings of the 14th International Society for Music Information Retrieval Conference 481-486 [Details]
Istok, E.; Friberg, A.; Huotilainen, M.; Tervaniemi, M. (2012):
Expressive timing facilitates the processing of phrase boundaries in music - Evidence from the event-related potential.
International Journal of Psychophysiology 85: 403-404 [Details]
Friberg, A. (2012):
Music Listening from an Ecological Perspective.
[Conference paper] 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music, Thessaloniki, Greece; Poster presented at the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music [Details]
Elowsson, A.; Friberg, A. (2012):
Algorithmic Composition of Popular Music.
[Conference paper] the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music; Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music 276-285 [Details]
Bresin, R.; Askenfelt, A.; Friberg, A.; Hansen, K.; Ternström, S. (2012):
Sound and Music Computing at KTH.
52: 33-35 [Details]
Friberg, A.; Battel, G. (2011):
Structural Communication.
Chapter in book [Details]
Friberg, A.; Hedblad, A. (2011):
A Comparison of Perceptual Ratings and Computed Audio Features.
[Conference paper] 8th Sound and Music Computing Conference, 06-09 July 2011, Padova - Italy; Proceedings of the SMC 2011 - 8th Sound and Music Computing Conference 122-127 [Details]
Friberg, A.; Schoonderwaldt, E.; Hedblad, A. (2011):
Perceptual ratings of musical parameters.
Chapter in book [Details]
Friberg, A.; Källblad, A. (2011):
Experiences from video-controlled sound installations.
[Conference paper] New Interfaces for Musical Expression - NIME, Oslo, 2011; Proceedings of New Interfaces for Musical Expression - NIME, Oslo, 2011 128-131 [Details]
Bisesi, E.; Parncutt, R.; Friberg, A. (2011):
An accent-based approach to performance rendering: Music theory meets music psychology.
[Conference paper] International Symposium on Performance Science (ISPS 2011); Proceedings of ISPS 2011 27-32 [Details]
Bresin, R.; Friberg, A. (2011):
Emotion rendering in music - Range and characteristic values of seven musical variables.
Cortex 47: 1068-1081 [Details]
Fabiani, M.; Friberg, A. (2011):
Influence of pitch, loudness, and timbre on the perception of instrument dynamics.
Journal of the Acoustical Society of America 130: EL193-EL199 [Details]
Friberg, A.; Ahlback, S. (2009):
Recognition of the Main Melody in a Polyphonic Symbolic Score using Perceptual Knowledge.
Journal of New Music Research 38: 155-169 [Details]

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